ItвЂ™s disheartening to see an artist of his popularity, stature and influence seem so comfortable with only playing to his strengths вЂ“ but not in a manner that makes any of his new output enjoyable. His 2020 вЂњDark Lane Demo TapesвЂќ mixtape showed some form of variety in production, style and flair in an intriguing collection of tracks, so the regression to the mean here is perplexing. He rarely switches up his vocal style or cadence, a blunder that steers the attention away from his lyrics.ДЄfter a three-year wait, itвЂ™s remarkably shocking that DrakeвЂ™s latest album fails to elicit any kind of emotional reaction within the listener other than immense dread. However, Drake himself is the largest culprit for the recordвЂ™s flaws because in addition to his lackluster vocal performances, his monotone rap delivery and reliance on only a handful of run-of-the-mill flows makes the record stagnant. Thankfully, Travis ScottвЂ™s appearance on вЂњFair TradeвЂќ breaks the monotony of the overall record as the Houston rapper and producer assumes control of the trackвЂ™s second half, but that moment is a rarity compared to the sheer talent pool of guests on this album. Most guest appearances on this record feel shallow in impact, as if the artists clocked in for a quick, phoned-in verse before unceremoniously exiting the track. The trackвЂ™s droning lyrics of relationship turmoil and disagreements come off as redundant because, after talking about them for perhaps the 100th time in a song, Drake has nothing new to say about them.ДЇor having such a stacked feature list of heavy hitters, such as Jay-Z, Future, Travis Scott, Kid Cudi, Lil Baby, Rick Ross and Lil Wayne, among others, their bland and soulless contributions are in contrast from the distinct personalities they each possess as individual artists.

A soothing chopped soul sample is stained by the decision to autotune DrakeвЂ™s voice throughout, which, in this instance, yields one of the weakest, most grating vocal performances of his entire career.

And none of these components work in an effective manner this time around because they simply feel superfluous, making it a chore to get through the entire record.Д¬uts from the track list like вЂњPipe DownвЂќ underscore some truly questionable musical choices throughout the album.

Lyrics about being constantly doubted and targeted by other rappers, stories of relationships gone awry and struggles with the perils of fame paired with atmospheric but mostly generic beats can only keep listeners hooked for so long before fatigue sets in. Instead, the 34-year-old artist seems content with regurgitating the tried-and-true formulas which have garnered him commercial success in the past. Over the course of вЂњCLB,вЂќ he fails to put forth an effort that distinctly marks any form of growth in his artistic ability. вЂњCertified Lover BoyвЂќ is a certified dumpster fire.Дrake, the tenured Toronto rapper and global superstar, followed up his lengthy 2018 double album вЂњScorpionвЂќ with a 21-track, 86-minute effort that possesses similar traits as its predecessor вЂ“ a bloated, uninspiring body of work that lacks the creative spark or focus of his early career records.

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